Showing posts with label Pablo Picasso. Show all posts
Showing posts with label Pablo Picasso. Show all posts

Saturday, September 04, 2010

When Groundbreaking Artists Become Kitsch Where Does it Leave the Rest of Us?

When Groundbreaking Artists Become Kitsch Where Does it Leave the Rest of Us?

One negative aspect of the information driven times we live in-- and how it is reflected in our culture-- is the fact that great artists from the recent past often become kitsch figureheads. Take for example Frida Kahlo-- who is now more apt to be admired as a tattoo than heard about in a worth-while discussion about art. The history behind her work and the importance of what she achieved is often forgotten in exchange for a watered down reflection of who she was and what her artwork represented.

Tuesday, April 28, 2009

Pablo Picasso: Picasso: Mosqueteros at Gagosian’s Chelsea Gallery, NY

Bust (1970) by Pablo Picasso, via Gagosian Gallery

Gagosian’s Chelsea Gallery in New York is currently featuring an exhibit titled, Picasso: Mosqueteros,. The exhibit focuses on paintings created by Picasso during the last years of his life. The exhibit is considered a survey of Picasso’s late life as it examines his thought process from 1962 to his last productive year, 1972. The exhibit was made possible due to backing from Bernard Ruiz-Picasso, Museo Picasso, The Museum of Modern Art, and a number of other private collections. The exhibit will come to a close on June 6th, 2009. For more information visit, www.gagosian.com

Saturday, April 25, 2009

Picasso: The value of a name?

Apparently there has been a lengthy battle over Picasso’s name in the UK. It started when Manders Paints, owned by Dougie Urquhart, decided to introduce a line of paints called Picasso Tint to Taste. The estate of Pablo Picasso quickly took legal action in order to prevent Manders Paint from using the family name on their products. The verdict is in-- Picasso lost.
The case has been described as a landmark ruling due to the fact that only Dougie Urquhart’s company, Manders Paints, can use the name Picasso as a brand name for UK based painting products. Needless to say, the Intellectual Property Office (IPO) has sided with Manders Paints on the issue. However, the Picasso estate has appealed in the past-- so it is likely that they will continue to fight for their namesake.
The Picasso estate argued that the use of the name ‘Picasso’ without their consent amounted to exploitation by Dougie Urquhart and his company. In other words, they feel that the only reason Urquhart desires to use the name is due to the commercial value it has for his specific market-- products for painters. That said, Urquhart’s legal team pointed out that names of other famous painters, such as Renoir and Matisse, have been registered as trademarks with or without the consent of those respected families.
The Picasso estate is known for adamantly defending Pablo Picasso’s name and art. In fact, the movie Surviving Picasso (1996 Merchant Ivory Productions) experienced the wrath of the Picasso family during production. The producers were unable to obtain permission to feature replicas of Picasso’s art on the set. From what I’ve read the only painting in Surviving Picasso that is based on an authentic Picasso painting is the scene where Picasso, played by Anthony Hopkins, creates a section of Guernica-- though the scene is filmed in a way as to make the image only slightly visible.
This case involving Manders Paints and the Picasso estate begs the question-- what is the value of a name? I suspect that eventually we will see other art products named after artists. Perhaps in the future one will be able to purchase Hirst Black, Fairey Red, or Koons Blue. That said, is the last name of the artist as important as the visual legacy he or she leaves behind? Does commercial use of an artists name without his or her consent-- or estate consent-- harm the market for his or her art? What is the value of a name? Thoughts?

Link of Interest:

UK paint firm wins Picasso battle
Manders Paints
Take care, Stay true,
Brian Sherwin
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